There Are Few Books Which Are Fit To Be Remembered In Our Wisest
Hours, But The Iliad Is Brightest In The Serenest Days, And
Embodies Still All The Sunlight That Fell On Asia Minor.
No
modern joy or ecstasy of ours can lower its height or dim its
lustre, but there it lies in the east of literature, as it were
the earliest and latest production of the mind.
The ruins of
Egypt oppress and stifle us with their dust, foulness preserved
in cassia and pitch, and swathed in linen; the death of that
which never lived. But the rays of Greek poetry struggle down to
us, and mingle with the sunbeams of the recent day. The statue
of Memnon is cast down, but the shaft of the Iliad still meets
the sun in his rising.
"Homer is gone; and where is Jove? and where
The rival cities seven? His song outlives
Time, tower, and god, - all that then was, save Heaven."
So too, no doubt, Homer had his Homer, and Orpheus his Orpheus,
in the dim antiquity which preceded them. The mythological
system of the ancients, and it is still the mythology of the
moderns, the poem of mankind, interwoven so wonderfully with
their astronomy, and matching in grandeur and harmony the
architecture of the heavens themselves, seems to point to a time
when a mightier genius inhabited the earth. But, after all, man
is the great poet, and not Homer nor Shakespeare; and our
language itself, and the common arts of life, are his work.
Poetry is so universally true and independent of experience, that
it does not need any particular biography to illustrate it, but
we refer it sooner or later to some Orpheus or Linus, and after
ages to the genius of humanity and the gods themselves.
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