Letters From An American Farmer By Hector St. John De Crevecoeur



















































































































































 -  Such are the matters he tells of in his Letters.

One difference from the stereotyped sensibility of the old world - Page 6
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Such Are The Matters He Tells Of In His Letters.

One difference from the stereotyped "sensibility" of the old world one may discover in the openness of Crevecoeur's heart; and that is the completeness of his interest in all the humbler sorts of natural phenomena.

Nature is, for him, no mere bundle of poetic stage- properties, soiled by much handling, but something fresh and inviting and full of interest to a man alive. He takes more pleasure in hunting bees than in expeditions with his dogs and gun; the king- birds destroy his bees - but, he adds, they drive the crows away. Ordinarily he could not persuade himself to shoot them. On one occasion, however, he fired at a more than commonly impertinent specimen, "and immediately opened his maw, from which I took 171 bees; I laid them all on a blanket in the sun, and to my great surprise fifty-four returned to life, licked themselves clean, and joyfully went back to the hive, where they probably informed their companions of such an adventure and escape, as I believe had never happened before to American bees." Must one regard this as a fable? It is by no means as remarkable a yarn as one may find told by other naturalists of the same century. There is, for example, that undated letter of John Bartram's, in which he makes inquiries of his brother William concerning "Ye Wonderful Flower;" [Footnote: see "A Botanical Marvel," in The Nation (New York), August 5, 1909.] there is, too, Kalm's report of Bartram's bear: "When a bear catches a cow, he kills her in the following manner: he bites a hole into the hide and blows with all his power into it, till the animal swells excessively and dies; for the air expands greatly between the flesh and the hide." After these fine fancies, where is the improbability of Crevecoeur's modest adaptation of the Jonah-allegory that he applies to the king-bird and his bees? The episode suggests, for that matter, a chapter in Mitchell's My Farm at Edgewood. Mitchell, a later American farmer, describes the same king-birds, the same bees; has, too, the same supremely gentle spirit. "I have not the heart to shoot at the king-birds; nor do I enter very actively into the battle of the bees. ... I give them fair play, good lodging, limitless flowers, willows bending (as Virgil advises) into the quiet water of a near pool; I have even read up the stories of a poor blind Huber, who so dearly loved the bees, and the poem of Giovanni Rucellai, for their benefit." Can the reader state, without stopping to consider, which author it was that wrote thus - Mitchell or Crevecoeur? Certainly it is the essential modernity of the earlier writer's style that most impresses one, after the charm of his pictures. His was the age of William Livingston - later Governor of the State of New Jersey; and in the very year when a London publisher was bringing out the first edition of the Farmer's Letters, Livingston, described on his title-page as a "young gentleman educated at Yale College," brought out his Philosophic Solitude at Trenton, in his native state.

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