His Descendant, Robert De Crevecoeur, Refers To Him As "A Friend Of Wilberforce."] And His Narrative Description Of Life In The American Colonies In The Years Immediately Preceding The Revolution Is One That Social Historians Cannot Ignore.

Though our Farmer emphasises his plainness, and promises the readers of his Letters only a matter-of-fact account

Of his pursuits, he has his full share of eighteenth-century "sensibility." Since he is, however, at many removes from the sophistications of London and Paris, he is moved, not by the fond behaviour of a lap-dog, or the "little arrangements" carters make with the bridles of their faithful asses (that they have driven to death, belike), but by such matters as he finds at home. "When I contemplate my wife, by my fire-side, while she either spins, knits, darns, or suckles our child, I cannot describe the various emotions of love, of gratitude, or conscious pride which thrill in my heart, and often overflow in voluntary tears ..." He is like that old classmate's of Fitzgerald's, buried deep "in one of the most out-of-the-way villages in all England," for if he goes abroad, "it is always involuntary. I never return home without feeling some pleasant emotion, which I often suppress as useless and foolish." He has his reveries; but they are pure and generous; their subject is the future of his children. In midwinter, instead of trapping and "murthering" the quail, "often in the angles of the fences where the motion of the wind prevents the snow from settling, I carry them both chaff and grain: the one to feed them, the other to prevent their tender feet from freezing fast to the earth as I have frequently observed them to do." His love of birds is marked: this in those provinces of which a German traveller wrote: "In the thrush kind America is poor; there is only the red-breasted robin. ... There are no sparrows. Very few birds nest in the woods; a solemn stillness prevails through them, interrupted only by the screaming of the crows." It is good, after such a passage as this has been quoted, to set down what Crevecoeur says of the bird kingdom. "In the spring," he writes, "I generally rise from bed about that indistinct interval which, properly speaking, is neither night nor day:" for then it is that he enjoys "the universal vocal choir." He continues - more and more lyrically: "Who can listen unmoved, to the sweet love-tales of our robins, told from tree to tree? Or to the shrill cat birds? The sublime accents of the thrush from on high, always retard my steps, that I may listen to the delicious music." And the Farmer is no less interested in "the astonishing art which all birds display in the construction of their nests, ill provided as we may suppose them with proper tools; their neatness, their convenience." At some time during his American residence he gathered the materials for an unpublished study of ants; and his bees proved an unfailing source of entertainment. "Their government, their industry, their quarrels, their passions, always present me with something new," he writes; adding that he is most often to be found, in hours of rest, under the locust tree where his beehive stands. "By their movements," says he, "I can predict the weather, and can tell the day of their swarming." When other men go hunting game, he goes bee-hunting. Such are the matters he tells of in his Letters.

One difference from the stereotyped "sensibility" of the old world one may discover in the openness of Crevecoeur's heart; and that is the completeness of his interest in all the humbler sorts of natural phenomena. Nature is, for him, no mere bundle of poetic stage- properties, soiled by much handling, but something fresh and inviting and full of interest to a man alive. He takes more pleasure in hunting bees than in expeditions with his dogs and gun; the king- birds destroy his bees - but, he adds, they drive the crows away. Ordinarily he could not persuade himself to shoot them. On one occasion, however, he fired at a more than commonly impertinent specimen, "and immediately opened his maw, from which I took 171 bees; I laid them all on a blanket in the sun, and to my great surprise fifty-four returned to life, licked themselves clean, and joyfully went back to the hive, where they probably informed their companions of such an adventure and escape, as I believe had never happened before to American bees." Must one regard this as a fable? It is by no means as remarkable a yarn as one may find told by other naturalists of the same century. There is, for example, that undated letter of John Bartram's, in which he makes inquiries of his brother William concerning "Ye Wonderful Flower;" [Footnote: see "A Botanical Marvel," in The Nation (New York), August 5, 1909.] there is, too, Kalm's report of Bartram's bear: "When a bear catches a cow, he kills her in the following manner: he bites a hole into the hide and blows with all his power into it, till the animal swells excessively and dies; for the air expands greatly between the flesh and the hide." After these fine fancies, where is the improbability of Crevecoeur's modest adaptation of the Jonah-allegory that he applies to the king-bird and his bees? The episode suggests, for that matter, a chapter in Mitchell's My Farm at Edgewood. Mitchell, a later American farmer, describes the same king-birds, the same bees; has, too, the same supremely gentle spirit. "I have not the heart to shoot at the king-birds; nor do I enter very actively into the battle of the bees. ... I give them fair play, good lodging, limitless flowers, willows bending (as Virgil advises) into the quiet water of a near pool; I have even read up the stories of a poor blind Huber, who so dearly loved the bees, and the poem of Giovanni Rucellai, for their benefit." Can the reader state, without stopping to consider, which author it was that wrote thus - Mitchell or Crevecoeur?

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