Hazlitt wrote that of the three notable writers whom the eighteenth
century had produced, in the North American colonies, one was "the
author (whoever he was) of the American Farmer's Letters."
Crevecoeur was that unknown author; and Hazlitt said further of him
that he rendered, in his own vividly characteristic manner, "not
only the objects, but the feelings, of a new country." Great is the
essayist's relish for passages descriptive of "a battle between two
snakes," of "the dazzling, almost invisible flutter of the humming-
bird's wing," of the manners of "the Nantucket people, their frank
simplicity, and festive rejoicings after the perils and hardships of
the whale-fishing." "The power to sympathise with nature, without
thinking of ourselves or others, if it is not a definition of
genius, comes very near to it," writes Hazlitt of our author. And
his references to Crevecoeur are closed with the remark: "We have
said enough of this ILLUSTRIOUS OBSCURE; for it is the rule of
criticism to praise none but the over-praised, and to offer fresh
incense to the idol of the day."
Others, at least, have followed that "rule of criticism," and the
American Farmer has long enjoyed undisturbed seclusion. Only once
since the eighteenth century has there been a new edition of his
Letters, that were first published at London in 1782, and reissued,
with a few corrections, in the next year.
Enter page number
Next
Page 1 of 291
Words from 1 to 252
of 79752
