Picturesque Quebec, By James Macpherson Le Moine










































































































































 -  Then the fierce sun fell on the bald,
baking rocks, with its crisped mosses and parched lichens. Two centuries
and - Page 8
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Then The Fierce Sun Fell On The Bald, Baking Rocks, With Its Crisped Mosses And Parched Lichens.

Two centuries and-a-half have quickened the solitude with swarming life, covered the deep bosom of the river with barge and steamer and gliding sail, and reared cities and villages on the site of forests; but nothing can destroy the surpassing grandeur of the scene.

"Grasp the savin anchored in the fissure, lean over the brink of the precipice, and look downward, a little to the left, on the belt of woods which covers the strand between the water and the base of the cliffs. Here a gang of axe-men are at work, and Point Levi and Orleans echo the crash of falling trees.

"These axe-men were pioneers of an advancing host, - advancing, it is true, with feeble and uncertain progress: priests, soldiers, peasants, feudal scutcheons, royal insignia. Not the Middle Age, but engendered of it by the stronger life of modern centralization; sharply stamped with parental likeness, heir to parental weakness and parental force.

"A few weeks passed, and a pile of wooden buildings rose on the brink of the St. Lawrence, on or near the site of the market-place of the Lower Town of Quebec. The pencil of Champlain, always regardless of proportion and perspective, has preserved its semblance. A strong wooden wall, surmounted by a gallery loop-holed for musketry, enclosed three buildings, containing quarters for himself and his men, together with a court-yard, from one side of which rose a tall dove-cot, like a belfry. A moat surrounded the whole, and two or three small cannon were planted on salient platforms towards the river. There was a large magazine near at hand, and a part of the adjacent ground was laid out as a garden." (Pioneers of France in the New World, p. 301.)

CHIEF DONNACONA.

On the 14th of September, 1535, under the head "Shipping News, Port of Quebec," history might jot down some startling items of marine intelligence; the arrival from sea of three armed vessels - the "Grande Hermine," the "Petite Hermine," and the "Emerillon." One would imagine their entrance in port must have awakened as much curiosity among the startled denizens of Stadacona - the Hurons of 1535 - as did the anchoring in our harbour, in August, 1861, of Capt. Vine Hall's leviathan, the "Great Eastern." Were the French fleet the first European keels which furrowed the Laurentian tide under Cape Diamond? We like to think so. Let the Basques make good their assumed priority: let them produce their logbook, not merely for the latitude of Newfoundland or Tadoussac, but also an undisputed entry therein, for the spot where, a century later, Samuel de Champlain lived, loved, and died. Had the advent of the St. Malo vikings been heralded by watchful swift-footed retainers to swarthy king Donnacona, the ruler of the populous town of Stadacona, and a redoubtable agouhanna of the Huron nation? 'Tis not unlikely.

An entry occurs in the diary of Jacques Cartier, commander of the flagship "Grande Hermine," to the effect that Donnacona, escorted by twelve canoes, had met the foreign craft several miles lower than Quebec, where he had parleyed with his fellow-countrymen, Taiguragny and Domagaya, kidnapped the year previous at Gaspe and just brought back by Cartier from France; that, dismissing ten of his twelve canoes, the agouhanna had invited and received the French commander in his canoe of state, harangued him, and readily accepted from him a collation of bread and wine, which the captain of the "Grande Hermine" (thoughtful host) had brought with him.

The meeting over, Donnacona steered for home; and Jacques Cartier ordered his boats to be manned and ascended the river to seek for a safe anchorage for his ships. He soon found what he sought, entered then the river Saint Charles, by him called the St. Croix, landed, crossed the meadows, climbed the rocks, and threaded the forest. On his return, when he and his party were rowing for the ships, they had to stand another harangue from the bank, from an old chief, surrounded by men, boys and some merry squaws, to whom they gave as presents glass beads, &c., when they regained their vessels.

What took place at the interview between the French commander and the Huron potentate? What were the thoughts, hopes, fears of the grim chieftain on that fateful September day which brought in across the Atlantic the first wave of foreign invasion - the outer barbarian to his forest abode?

One would fain depict king Donnacona roaming, solitary and sad; mayhap, on the ethereal heights of Cape Diamond, watching, with feelings not unmingled with alarm, the onward course of the French ships - to him phantoms of ill-omen careering over the dreary waters - until their white shrouds gradually disappeared under the shadow of the waving pines and far-spreading oaks which then clad the green banks of the lurking, tortuous St Charles.

Chief Donnacona, beware! O beware!

CHAPTER III.

THE "ANCIENT CAPITAL."

QUEBEC - ITS HIGHWAYS AND BY-WAYS, EDIFICES, MONUMENTS, CITIZENS, LEGENDS, CHRONICLES, AND ANTIQUITIES.

"I pray you, let us satisfy our eyes With the memorials and the things of fame That do renown this city." - (Shakespeare.)

What a field here for investigation? Has not each thoroughfare its distinctive feature - its saintly, heathenish, courtly, national, heroic, perhaps burlesque, name? Its peculiar origin? traceable sometimes to a dim - a forgotten past; sometimes to the utilitarian present time. What curious vistas are unfolded in the birth of its edifices - public and private - alive with the memories of their clerical, bellicose, agricultural or mercantile founders? How much mysterious glamour does not relentless time shed over them in its unceasing march? How many vicissitudes do they undergo before giving way to modern progress, the exigencies of commerce, the wants or whims of new masters? The edifices, did we say? Their origin, their progress, their decay, nay, their demolition by the modern iconoclast - have they no teachings? How many phases in the art of the builder and engineer, from the high-peaked Norman cottage to the ponderous, drowsy Mansard roof - from Champlain's picket fort to the modern citadel of Quebec - from our primitive legislative meeting-house to our stately Parliament Buildings on the Grande Allee?

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