Picturesque Quebec, By James Macpherson Le Moine










































































































































 -  Chaste monumental marbles, on which can be detected the chisel
of English, Scotch and Canadian artists, are at present noticeable - Page 494
Picturesque Quebec, By James Macpherson Le Moine - Page 494 of 864 - First - Home

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Chaste Monumental Marbles, On Which Can Be Detected The Chisel Of English, Scotch And Canadian Artists, Are At Present Noticeable

All over the grounds, tastefully laid out and smiling parterres of annuals and perennials throw a grateful fragrance over the

Tomb where sleeps mayhap a beloved parent, a kind sister, an affectionate brother, a true friend, a faithful lover. How forcibly all this was brought to our minds recently on strolling through the shady walks of Mount Hermon. Under the umbrageous trees, perfumed by roses and lilies, tombs, [239] silent, innumerable tombs on all sides, on marble, the names of friends, kindred, acquaintances, solemn stillness all round us, at our feet the placid course of our majestic flood. There were indeed many friends round us, though invisible, nay, on counting over the slumberers, we found we had more, though not dearer friends, in this abode of peace than within the walls of yonder city. Overpowered by mournful, though soothing thoughts, we walked along pondering over those truthful reflections of Washington Irving: -

"There is a voice from the tomb sweeter than song, there is a recollection of the dead to which we turn ever from the charms of the living Oh, the grave! the grave! It buries every error, covers every defect, extinguishes every resentment. From its peaceful bosom spring none but fond regrets and tender recollections. * * * The grave of those we loved - what a place for meditation. There it is that we call up in long review the whole history of virtue and gentleness, and the thousand endearments lavished upon us almost unheeded in the daily intercourse of intimacy; there it is that we dwell upon the tenderness, the solemn, awful tenderness of the parting scene; the bed of death with all its stifled grief; its noiseless attendants; its mute, watchful assiduities; the last testimonies of expiring love; the feeble, faltering, thrilling (oh, how thrilling!) pressure of the hand; the last fond look of the glazing eye, turning upon us from the threshold of existence; the faint, faltering accents struggling in death to give once more assurance of affection!

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