"'Nor Venus with the winged Loves,
Drawn by her sparrows or her doves,
So gracefully or swiftly moves,
As ladies carioling,"
"Another poet, whose mind was evidently less healthily braced by out-
door exercise, gives us a very different picture of the recreations of
the period. It occurs in the course of an essay in versification
called 'Evening.'
"'Now minuets o'er, the country dance is formed
See every little female passion rise,
By jealousy, by pride, by envy warmed,
See Adam's child the child of Eve despise.
"'With turned-up nose Belinda Chloe eyes,
Chloe Myrtilla with contempt surveys,
"What! with that creature dance!" Cleora cries,
"That vulgar wretch! I faint - unlace my stays.
* * * * *
"'Now meet in groups the philosophic band,
Not in the porch, like those of ancient Greece,
But where the best Madeira is at hand
From thought the younger students to release
"'For Hoyle's disciples hold it as a rule
That youth for knowledge should full dearly pay,
Wherefore to make young cubs the fitter tool
Presuming sense by Lethean drafts they slay.
* * * * *
"'With all the fury of a tempest torn,
With execrations horrible to hear,
By all the wrath of disappointment borne,
The cards, their garments, hair, the losers tear.'
"The winner's unfeeling composure is described in another verse, and
"'Now dissipation reigns in varied forms
Now riot in the bowl the senses steeps,
Whilst nature's child, secure from passion's storms,
With tranquil mind in sweet oblivion sleeps.'
"It is to be hoped, for the honour of the ladies and gentlemen of old
Quebec, that 'Asmodeus' was under the malign influence of envy, hatred
and all uncharitableness when he wrote those cynical verses. If he
wrote the truth we cannot be too thankful that the Chloes and Cleoras
are dead and buried.
"Who was Miss Hannah MacCulloch? She was a young lady once; and, if
we may believe her panegyrist, was a beauty in her day. The acrostic
in her honor is anonymous, and occasion is taken in the course of it
to almost mention some other young ladies by the way of making a
climax of her charms. The poet seems to have been inspired by
indignation at the insinuations of 'Asmodeus,' for he begins thus.
"'Muses, how oft does Satire's vengeful gall
Invoke your powers to aid its bitter sting,'
and then he prefers his own claims to the favor of the Nine
"'Sure you will rather listen to my call,
Since beauty and Quebec's fair nymphs I sing'
"It seems his petition was heard, for he forthwith begins his
laudation:
"'Henceforth Diana in Miss S - ps - n see,
As noble and majestic is her air,
Nor can fair Venus, W - lc - s, vie with thee,
Nor all her heavenly charms with thine compare.
