American Notes By Rudyard Kipling








































































































































 -  Rather let me look
out of the windows till the shops give place to thousands and
thousands of little houses - Page 6
American Notes By Rudyard Kipling - Page 6 of 53 - First - Home

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Rather Let Me Look Out Of The Windows Till The Shops Give Place To Thousands And Thousands Of Little Houses Made Of Wood (To Imitate Stone), Each House Just Big Enough For A Man And His Family.

Let me watch the people in the cars and try to find out in what manner they differ from us, their ancestors.

It grieves me now that I cursed them (in the matter of book piracy), because I perceived that my curse is working and that their speech is be-coming a horror already. They delude them-selves into the belief that they talk English - the English - and I have already been pitied for speaking with "an English accent." The man who pitied me spoke, so far as I was concerned, the language of thieves. And they all do. Where we put the accent forward they throw it back, and vice versa where we give the long "a" they use the short, and words so simple as to be past mistaking they pronounce somewhere up in the dome of their heads. How do these things happen?

Oliver Wendell Holmes says that the Yankee school-marm, the cider and the salt codfish of the Eastern States, are responsible for what he calls a nasal accent. I know better. They stole books from across the water without paying for 'em, and the snort of delight was fixed in their nostrils forever by a just Providence. That is why they talk a foreign tongue to-day.

"Cats is dogs, and rabbits is dogs, and so's parrots. But this 'ere tortoise is an insect, so there ain't no charge," as the old porter said.

A Hindoo is a Hindoo and a brother to the man who knows his vernacular. And a French-man is French because he speaks his own language. But the American has no language. He is dialect, slang, provincialism, accent, and so forth. Now that I have heard their voices, all the beauty of Bret Harte is being ruined for me, because I find myself catching through the roll of his rhythmical prose the cadence of his peculiar fatherland. Get an American lady to read to you "How Santa Claus Came to Simpson's Bar," and see how much is, under her tongue, left of the beauty of the original.

But I am sorry for Bret Harte. It happened this way. A reporter asked me what I thought of the city, and I made answer suavely that it was hallowed ground to me, because of Bret Harte. That was true.

"Well," said the reporter, "Bret Harte claims California, but California don't claim Bret Harte. He's been so long in England that he's quite English. Have you seen our cracker factories or the new offices of the 'Examiner'?"

He could not understand that to the outside world the city was worth a great deal less than the man. I never intended to curse the people with a provincialism so vast as this.

But let us return to our sheep - which means the sea-lions of the Cliff House.

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