The Grand Canyon Of Arizona: How To See It By George Wharton James






































































































































 -  Electric
lights are placed in log squares, swinging from the low roof at the end of
long chains. Gray Navaho - Page 27
The Grand Canyon Of Arizona: How To See It By George Wharton James - Page 27 of 322 - First - Home

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Electric Lights Are Placed In Log Squares, Swinging From The Low Roof At The End Of Long Chains.

Gray Navaho rugs cover the brown floor.

There are cosy tete-a-tetes and easy chairs. On an upper shelf repose heads of the deer, elk, moose, mountain sheep, and buffalo, mingling with curiously shaped and gaudily tinted Indian jars from the southwest pueblos. An old-fashioned clock ticks off the hours. Several small escritoires remind you of letters to be written to the home people. Recessed window-seats, partly hidden by red curtains, complete the picture.

What wonder that every morning and evening most of the guests gather in this room - the ladies to read and gossip; the gentlemen to smoke and tell of their latest adventures. Few country clubs have as pleasant a meeting place; yet it is only one of El Tovar's many allurements.

The Office and Ladies' Lounging Room. Cross the western edge of the Rendezvous, and you are in the rotunda, the centre of the hotel's many activities and its very necessary hub. Whether bound for dining-room or parlors, for guest chamber or amusement room; whether attracted by the click of billiards below, or the brightness of the roof-garden above, - all paths here intersect.

On the first floor is the office. A story above, reached by an easily ascended stairway, is the ladies' lounging room, nestled around an octagonal open space that extends from the office to the roof.

Just beyond are the art rooms, containing paintings and photographs of the Canyon; on the walls hang paintings of southwest scenery from the brushes of noted American artists, including some of Thomas Moran's masterpieces. Yellow hangings and electric lights brighten the dark tones of the woodwork.

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