The Grand Canyon Of Arizona: How To See It By George Wharton James






































































































































 -  As
quickly and dexterously as can be, her hands and the spat manipulate the
vessel, until it has the desired - Page 177
The Grand Canyon Of Arizona: How To See It By George Wharton James - Page 177 of 322 - First - Home

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As Quickly And Dexterously As Can Be, Her Hands And The Spat Manipulate The Vessel, Until It Has The Desired Shape.

More coils of clay are then added, and the shaping continues until the vessel is complete.

Now it is put out into the sun to dry, and when reasonably solid, it is ready for the painting and decoration. With a rude brush made of horsehair or yucca fibre, and paints gathered and ground by herself, she works out the design that her imagination has already created and pictured upon her piece of work. Some of these designs represent conventionalized objects of nature - birds, clouds, mountains, rain, corn, lightning, tadpoles, dragon-flies, horned toads, serpents and the like; others are purely geometrical, and the variety and extent of them are more wonderful than any except the experts realize. In a monograph upon the ancient pottery of these people, Dr. Fewkes pictures every known geometrical figure of ancient and modern times, all of which were copied by him from vessels that have been excavated from ancient ruins and graves.

The Pottery of Nampeyo. Every village has its own style of pottery. Among the Hopis, the finest potter is a resident of Tewa or Hano, Nampeyo by name. Her ware is characterized by beauty of shape, perfection of form, dignity and character in design, and a general appearance that is pleasing and artistic. Zuni pottery is of a superior quality to that of Acoma, Laguna, and the other villages near by, and often contains in its designs the deer, with its peculiar red line of throat leading to the heart.

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