This Drapery Is So Ample That, On The Lowering Of The Temperature Towards Evening, The Caribs Throw It Over Their Shoulders. Their Bodies Tinged With Onoto,* (* Rocou, Obtained From The Bixa Orellana.

This paint is called in the Carib tongue, bichet.) their tall figures, of a reddish copper-colour, and their picturesque drapery, when seen from a distance, relieved against the sky as a background, resemble antique statues of bronze.

The men cut their hair in a very peculiar manner, very much in the style of the monks. A part of the forehead is shaved, which makes it appear extremely high, and a circular tuft of hair is left near the crown of the head. This resemblance between the Caribs and the monks is not the result of mission life. It is not caused, as had been erroneously supposed, by the desire of the natives to imitate their masters, the Franciscan monks. The tribes that have preserved their wild independence, between the sources of the Carony and the Rio Branco, are distinguished by the same cerquillo de frailes,* (* Circular tonsure of the friars.) which the early Spanish historians at the time of the discovery of America attributed to the nations of the Carib race. All the men of this race whom we saw either during our voyage on the Lower Orinoco, or in the missions of Piritu, differ from the other Indians not only in the tallness of their stature, but also in the regularity of their features. Their noses are smaller, and less flattened; the cheek-bones are not so high; and their physiognomy has less of the Mongol character.

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