Personal Narrative Of Travels To The Equinoctial Regions Of America During The Years 1799-1804 - Volume 2 - By Alexander Von Humboldt And Aime Bonpland.
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The river is free from crocodiles;
one may bathe without apprehension, and by night as well as by day
there is less torment from the sting of insects than on the Orinoco.
Father Zea hoped to reestablish his health by visiting the Missions of
Rio Negro.
He talked of those places with that enthusiasm which is
felt in all the colonies of South America for everything far off.
The assemblage of Indians at Pararuma again excited in us that
interest, which everywhere attaches man in a cultivated state to the
study of man in a savage condition, and the successive development of
his intellectual faculties. How difficult to recognize in this infancy
of society, in this assemblage of dull, silent, inanimate Indians, the
primitive character of our species! Human nature does not here
manifest those features of artless simplicity, of which poets in every
language have drawn such enchanting pictures. The savage of the
Orinoco appeared to us to be as hideous as the savage of the
Mississippi, described by that philosophical traveller Volney, who so
well knew how to paint man in different climates. We are eager to
persuade ourselves that these natives, crouching before the fire, or
seated on large turtle-shells, their bodies covered with earth and
grease, their eyes stupidly fixed for whole hours on the beverage they
are preparing, far from being the primitive type of our species, are a
degenerate race, the feeble remains of nations who, after having been
long dispersed in the forests, are replunged into barbarism.
Red paint being in some sort the only clothing of the Indians, two
kinds may be distinguished among them, according as they are more or
less affluent. The common decoration of the Caribs, the Ottomacs, and
the Jaruros, is onoto,* (* Properly anoto. This word belongs to the
Tamanac Indians. The Maypures call it majepa. The Spanish missionaries
say onotarse, to rub the skin with anato.) called by the Spaniards
achote, and by the planters of Cayenne, rocou. It is the colouring
matter extracted from the pulp of the Bixa orellana.* (* The word
bixa, adopted by botanists, is derived from the ancient language of
Haiti (the island of St. Domingo). Rocou, the term commonly used by
the French, is derived from the Brazilian word, urucu.) The Indian
women prepare the anato by throwing the seeds of the plant into a tub
filled with water. They beat this water for an hour, and then leave it
to deposit the colouring fecula, which is of an intense brick-red.
After having separated the water, they take out the fecula, dry it
between their hands, knead it with oil of turtles' eggs, and form it
into round cakes of three or four ounces weight. When turtle oil is
wanting, some tribes mix with the anato the fat of the crocodile.
Another pigment, much more valuable, is extracted from a plant of the
family of the bignoniae, which M. Bonpland has made known by the name
of Bignonia chica. It climbs up and clings to the tallest trees by the
aid of tendrils. Its bilabiate flowers are an inch long, of a fine
violet colour, and disposed by twos or threes. The bipinnate leaves
become reddish in drying. The fruit is a pod, filled with winged
seeds, and is two feet long. This plant grows spontaneously, and in
great abundance, near Maypures; and in going up the Orinoco, beyond
the mouth of the Guaviare, from Santa Barbara to the lofty mountain of
Duida, particularly near Esmeralda. We also found it on the banks of
the Cassiquiare. The red pigment of chica is not obtained from the
fruit, like the onoto, but from the leaves macerated in water. The
colouring matter separates in the form of a light powder. It is
collected, without being mixed with turtle-oil, into little lumps
eight or nine inches long, and from two to three high, rounded at the
edges. These lumps, when heated, emit an agreeable smell of benzoin.
When the chica is subjected to distillation, it yields no sensible
traces of ammonia. It is not, like indigo, a substance combined with
azote. It dissolves slightly in sulphuric and muriatic acids, and even
in alkalis. Ground with oil, the chica furnishes a red colour that has
a tint of lake. Applied to wool, it might be confounded with
madder-red. There is no doubt but that the chica, unknown in Europe
before our travels, may be employed usefully in the arts. The nations
on the Orinoco, by whom this pigment is best prepared, are the
Salivas, the Guipunaves,* (* Or Guaypunaves; they call themselves
Uipunavi.) the Caveres, and the Piraoas. The processes of infusion and
maceration are in general very common among all the nations on the
Orinoco. Thus the Maypures carry on a trade of barter with the little
loaves of puruma, which is a vegetable fecula, dried in the manner of
indigo, and yielding a very permanent yellow colour. The chemistry of
the savage is reduced to the preparation of pigments, that of poisons,
and the dulcification of the amylaceous roots, which the aroides and
the euphorbiaceous plants afford.
Most of the missionaries of the Upper and Lower Orinoco permit the
Indians of their Missions to paint their skins. It is painful to add,
that some of them speculate on this barbarous practice of the natives.
In their huts, pompously called conventos,* (* In the Missions, the
priest's house bears the name of the convent.) I have often seen
stores of chica, which they sold as high as four francs the cake. To
form a just idea of the extravagance of the decoration of these naked
Indians, I must observe, that a man of large stature gains with
difficulty enough by the labour of a fortnight, to procure in exchange
the chica necessary to paint himself red. Thus as we say, in temperate
climates, of a poor man, "he has not enough to clothe himself," you
hear the Indians of the Orinoco say, "that man is so poor, that he has
not enough to paint half his body." The little trade in chica is
carried on chiefly with the tribes of the Lower Orinoco, whose country
does not produce the plant which furnishes this much-valued substance.
The Caribs and the Ottomacs paint only the head and the hair with
chica, but the Salives possess this pigment in sufficient abundance to
cover their whole bodies.
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