The Region Of Sculptured Rocks, Or Of Painted Stones, Extends Far Beyond The Lower Orinoco, Beyond The Country (Latitude 7 Degrees 5 Minutes To 7 Degrees 40 Minutes, Longitude 68 Degrees 50 Minutes To 69 Degrees 45 Minutes) To Which Belongs What May Be Called The Local Fables Of The Tamanacs.

We again find these same sculptured rocks between the Cassiquiare and the Atabapo (latitude 2 degrees 5 minutes to 3 degrees 20 minutes; longitude 69 to 70 degrees); and between the sources of the Essequibo and the Rio Branco (latitude 3 degrees 50 minutes; longitude 62 degrees 32 minutes).

I do not assert that these figures prove the knowledge of the use of iron, or that they denote a very advanced degree of culture; but even on the supposition that, instead of being symbolical, they are the fruits of the idleness of hunting nations, we must still admit an anterior race of men, very different from those who now inhabit the banks of the Orinoco and the Rupunuri. The more a country is destitute of remembrances of generations that are extinct, the more important it becomes to follow the least traces of what appears to be monumental. The eastern plains of North America display only those extraordinary circumvallations that remind us of the fortified camps (the pretended cities of vast extent) of the ancient and modern nomad tribes of Asia. In the oriental plains of South America, the force of vegetation, the heat of the climate, and the too lavish gifts of nature, have opposed obstacles still more powerful to the progress of human civilization. Between the Orinoco and the Amazon I heard no mention of any wall of earth, vestige of a dyke, or sepulchral tumulus; the rocks alone show us (and this through a great extent of country), rude sketches which the hand of man has traced in times unknown, and which are connected with religious traditions.

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