Personal Narrative Of Travels To The Equinoctial Regions Of America During The Years 1799-1804 - Volume 1 - By Alexander Von Humboldt And Aime Bonpland.

































































































































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1.I.7. VIEWS OF THE CORDILLERAS, AND MONUMENTS OF THE INDIGENOUS
  NATIONS OF THE NEW CONTINENT.* (*Atlas Pittoresque, ou - Page 21
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1.I.7.

VIEWS OF THE CORDILLERAS, AND MONUMENTS OF THE INDIGENOUS NATIONS OF THE NEW CONTINENT.* (*Atlas Pittoresque, ou Vues des Cordilleres, 1 volume folio, with 69 plates, part of which are coloured, accompanied by explanatory treatises.

This work may be considered as the Atlas to the historical narrative of the travels.)

This work is intended to represent a few of the grand scenes which nature presents in the lofty chain of the Andes, and at the same time to throw some light on the ancient civilization of the Americans, through the study of their monuments of architecture, their hieroglyphics, their religious rites, and their astrological reveries. I have given in this work a description of the teocalli, or Mexican pyramids, and have compared their structure with that of the temple of Belus. I have described the arabesques which cover the ruins of Mitla, the idols in basalt ornamented with the calantica of the heads of Isis; and also a considerable number of symbolical paintings, representing the serpent-woman (the Mexican Eve), the deluge of Coxcox, and the first migrations of the natives of the Aztec race. I have endeavoured to prove the striking analogies existing between the calendar of the Toltecs and the catasterisms of their zodiac, and the division of time of the people of Tartary and Thibet, as well as the Mexican traditions on the four regenerations of the globe, the pralayas of the Hindoos, and the four ages of Hesiod. In this work I have also included (in addition to the hieroglyphical paintings I brought to Europe), fragments of all the Aztec manuscripts, collected in Rome, Veletri, Vienna, and Dresden, and one of which reminds us, by its lineary symbols, of the kouas of the Chinese.

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