It Might Be Supposed That Republican Simplicity Would Scorn So Much External Display; But The Places Of Public Entertainment Vie In Their Splendour With The Palaces Of Kings.

It was almost impossible for a stranger to leave New York without visiting the American museum, the property of Phineas Taylor Barnum.

The history of this very remarkable man is now well known, even in England, where the publication of his 'Autobiography' has been a nine days' wonder. It is said that 60,000 copies were sold at New York in one day, so successful has he been in keeping himself for ever before the public eye. It is painful to see how far a man whose life has been spent in total disregard of the principles of truth and integrity should have earned for himself popularity and fame. His museum is situated in Broadway, near to the City Hall, and is a gaudy building, denoted by huge paintings, multitudes of flags, and a very noisy band. The museum contains many objects of real interest, particularly to the naturalist and geologist, intermingled with a great deal that is spurious and contemptible. But this museum is by no means the attraction to this "Palace of Humbug."

There is a collection of horrors or monstrosities attached, which appears to fascinate the vulgar gaze. The principal objects of attraction at this time were, a dog with two legs, a cow with four horns, and a calf with six legs - disgusting specimens of deformity, which ought to have been destroyed, rather than preserved to gratify a morbid taste for the horrible and erratic in nature. But while persons of the highest station and education in England patronised an artful and miserable dwarf, cleverly exhibited by a showman totally destitute of principle, it is not surprising that the American people should delight in yet more hideous exhibitions, under the same auspices.

The magnificence of the private dwellings of New York must not escape mention, though I am compelled to withhold many details that would be interesting, from a fear of "violating the rights of hospitality." The squares, and many of the numbered streets, contain very superb houses of a most pleasing uniformity of style. They are built either of brown stone, or of dark red brick, durably pointed, and faced with stone. This style of brick masonry is extremely tasteful and beautiful. Every house has an entrance-porch with windows of stained glass, and double doors; the outer one being only closed at night. The upper part of the inner door is made of stained glass; the door-handles and bell-pulls are made of highly- polished electro-plate; and a handsome flight of stone steps, with elegant bronze balustrades, leads up to the porch. The entrance-halls are seldom large, but the staircases, which are of stone, are invariably very handsome. These houses are six stories high, and usually contain three reception-rooms; a dining-room, small, and not striking in appearance in any way, as dinner-parties are seldom given in New York; a small, elegantly-furnished drawing-room, used as a family sitting-room, and for the reception of morning visitors; and a magnificent reception-room, furnished in the height of taste and elegance, for dancing, music, and evening parties.

In London the bedrooms are generally inconvenient and uncomfortable, being sacrificed to the reception-rooms; in New York this is not the case. The bedrooms are large, lofty, and airy; and are furnished with all the appurtenances which modern luxury has been able to devise. The profusion of marble gives a very handsome and chaste appearance to these apartments. There are bath-rooms generally on three floors, and hot and cold water are laid on in every story. The houses are warmed by air heated from a furnace at the basement; and though in addition open fires are sometimes adopted, they are made of anthracite coal, which emits no smoke, and has rather the appearance of heated metal than of fuel. Ornamental articles of Parisian taste and Italian workmanship abound in these houses; and the mouldings, cornices, and woodwork, are all beautifully executed. The doorways and windows are very frequently of an arched form, which contributes to the tasteful appearance of the houses. Every species of gaudy decoration is strictly avoided; the paint is generally white, with gilt mouldings; and the lofty rooms are either painted in panels, or hung with paper of a very simple pattern.

The curtains and chair-covers are always of very rich damask, frequently worth from two to three guineas a yard; but the richness of this, and of the gold embroidery, is toned down by the dark hue of the walnut-wood furniture. The carpets of the reception-rooms are generally of rich Kidderminster, or velvet pile; an air of elegance and cleanliness pervades these superb dwellings; they look the height of comfort. It must be remembered that the foregoing is not a description of a dwelling here and there, but of fifty or sixty streets, or of 4000 or 5000 houses, those inhabited by merchants of average incomes, storekeepers not of the wealthiest class, and lawyers. The number of servants kept in such mansions as these would sound disproportionately small to an English ear. Two or three female servants only are required. Breakfast is very early, frequently at seven, seldom later than eight. The families of merchants in business in the lower part of the city often dine at one, and the gentlemen return to a combination of dinner with tea at six. It does not appear that at home luxury in eating is much studied. It is not customary, even among some of the wealthier inhabitants of New York, to indulge in sumptuous equipages. "Hacks," with respectable-looking drivers and pairs of horses, fill the place of private carriages, and look equally well. Coachmen require high wages, and carriages are frequently injured by collision with omnibuses; these are among the reasons given for the very general use of hired vehicles.

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