The Englishwoman In America By Isabella Lucy Bird
























































































































 -  The coachmen are generally blacks, and the
horses are stout animals, with cropped tails. The majority have broken
knees, owing - Page 193
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The Coachmen Are Generally Blacks, And The Horses Are Stout Animals, With Cropped Tails.

The majority have broken knees, owing to the great slipperiness of the pavements.

Altogether, the occupants of stages are the most secure of the numerous travellers down Broadway. The driver, on his lofty box, has more control over his horses, and, in case of collision, the weight of his vehicle gives him an advantage; and there is a general inclination, on the part of the conductors of carriages, to give these swiftly-moving vehicles "ample room and verge enough." While threading the way through the intricate labyrinth of waggons, stages, falling horses, and locked wheels, it is highly unpleasant for the denizens of private carriages to find the end of a pole through the back of the equipage, or to be addressed by the coachman, "Massa, dat big waggon is pulling off my wheel."

Having given a brief description of the style of the ordinary dwellings of the affluent, I will just glance at those of the very wealthy, of which there are several in Fifth Avenue, and some of the squares, surpassing anything I had hitherto witnessed in royal or ducal palaces at home. The externals of some of these mansions in Fifth Avenue are like Apsley House, and Stafford House, St. James's; being substantially built of brown stone. At one house which I visited in - - street, about the largest private residence in the city, and one which is considered to combine the greatest splendour with the greatest taste, we entered a spacious marble hall, leading to a circular stone staircase of great width, the balustrades being figures elaborately cast in bronze. Above this staircase was a lofty dome, decorated with paintings in fresco of eastern scenes. There were niches in the walls, some containing Italian statuary, and others small jets of water pouring over artificial moss,

There were six or eight magnificent reception-rooms, furnished in various styles - the Mediaeval, the Elizabethan, the Italian, the Persian, the modern English, &c. There were fountains of fairy workmanship, pictures from the old masters, statues from Italy, "chefs-d'oeuvre" of art; porcelain from China and Sèvres; damasks, cloth of gold, and bijoux from the East; Gobelin tapestry, tables of malachite and agate, and "knick- knacks" of every description. In the Mediaeval and Elizabethan apartments, it did not appear to me that any anachronisms had been committed with respect to the furniture and decorations. The light was subdued by passing through windows of rich stained glass. I saw one table the value of which might be about 2000 guineas. The ground was black marble, with a wreath of flowers inlaid with very costly gems upon it. There were flowers or bunches of fruit, of turquoise, carbuncles, rubies, topazes, and emeralds, while the leaves were of malachite, cornelian, or agate. The effect produced by this lavish employment of wealth was not very good. The bedrooms were scarcely less magnificently furnished than the reception- rooms; with chairs formed of stag-horns, tables inlaid with agates, and hangings of Damascus cashmere, richly embossed with gold.

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