Travels Of Richard And John Lander Travels in West Africa (Congo Francais, Corisco and Cameroons) by Mary H. Kingsley




















 -   This forest is a Cleopatra to which Calabar is but a
Quaker.  Not only does this forest depend on flowers - Page 115
Travels Of Richard And John Lander Travels in West Africa (Congo Francais, Corisco and Cameroons) by Mary H. Kingsley - Page 115 of 705 - First - Home

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This Forest Is A Cleopatra To Which Calabar Is But A Quaker.

Not only does this forest depend on flowers for its illumination, for there are many kinds of trees having their young shoots, crimson, brown-pink, and creamy yellow:

Added to this there is also the relieving aspect of the prevailing fashion among West African trees, of wearing the trunk white with here and there upon it splashes of pale pink lichen, and vermilion-red fungus, which alone is sufficient to prevent the great mass of vegetation from being a monotony in green.

All day long we steam past ever-varying scenes of loveliness whose component parts are ever the same, yet the effect ever different. Doubtless it is wrong to call it a symphony, yet I know no other word to describe the scenery of the Ogowe. It is as full of life and beauty and passion as any symphony Beethoven ever wrote: the parts changing, interweaving, and returning. There are leit motifs here in it, too. See the papyrus ahead; and you know when you get abreast of it you will find the great forest sweeping away in a bay- like curve behind it against the dull gray sky, the splendid columns of its cotton and red woods looking like a facade of some limitless inchoate temple. Then again there is that stretch of sword-grass, looking as if it grew firmly on to the bottom, so steady does it stand; but as the Move goes by, her wash sets it undulating in waves across its broad acres of extent, showing it is only riding at anchor; and you know after a grass patch you will soon see a red dwarf clay cliff, with a village perched on its top, and the inhabitants thereof in their blue and red cloths standing by to shout and wave to the Move, or legging it like lamp-lighters from the back streets and the plantation to the river frontage, to be in time to do so, and through all these changing phases there is always the strain of the vast wild forest, and the swift, deep, silent river.

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