Travels Of Richard And John Lander Into The Interior Of Africa For The Discovery Of The Course And Termination Of The Niger By Robert Huish



















 -  They commenced by skirmishing by twos and fours, and
charging in sections at full speed, always firing close under the - Page 348
Travels Of Richard And John Lander Into The Interior Of Africa For The Discovery Of The Course And Termination Of The Niger By Robert Huish - Page 348 of 1124 - First - Home

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They Commenced By Skirmishing By Twos And Fours, And Charging In Sections At Full Speed, Always Firing Close Under The

Bride's jaafa; in this manner they proceeded three times round the town, the scene occasionally relieved by a little interlude

Of the bridegroom; approaching the camel, which was surrounded by the negresses, who instantly commenced a cry, and drove him away, to the great amusement of the bystanders, exclaiming, "burra! Burra!" (be off! be off!) mazal shouia, (a little yet.) With discharges of musketry, and the train of horsemen, &c., she is then conveyed to the bridegroom's house, upon which it is necessary for her to appear greatly surprised, and refuse to dismount; the women scream, and the men shout, and she is at length persuaded to enter, when after receiving a bit of sugar in her mouth, from the bridegroom's hand, and placing another bit in his, with her own fair fingers, the ceremony is finished, and they are declared man and wife.

They had now to pass the Gibel Assoud, or Black Mountains; the northernmost part of this basaltic chain commences on leaving Sockna. They halted at Melaghi the place of meeting; immediately at the foot of the mountain is the well of Agutifa, and from hence probably the most imposing view of these heights will be seen. To the south, the mountain path of Niffdah presents its black, overhanging peaks, the deep chasm round which, the path winds, bearing a most cavern-like appearance; a little to the west, the camel path, called El Nishka, appears scarcely less difficult and precipitous; the more southern crags close in the landscape, while the foreground is occupied by the dingy and barren wadey of Agutifa, with the well immediately overhung by red ridges of limestone and clay; the whole presenting a picture of barrenness not to be perfectly described either by poet or painter.

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