A Mere
Map, Drawn In Words, Gives The Mind No Notion Of That Exquisite
Nature.
What do mountains become in type, or rivers in Mr.
Vizetelly's best brevier?
Here lies the sweet bay, gleaming
peaceful in the rosy sunshine: green islands dip here and there in
its waters: purple mountains swell circling round it; and towards
them, rising from the bay, stretches a rich green plain, fruitful
with herbs and various foliage, in the midst of which the white
houses twinkle. I can see a little minaret, and some spreading
palm-trees; but, beyond these, the description would answer as well
for Bantry Bay as for Makri. You could write so far, nay, much
more particularly and grandly, without seeing the place at all, and
after reading Beaufort's "Caramania," which gives you not the least
notion of it.
Suppose the great Hydrographer of the Admiralty himself can't
describe it, who surveyed the place; suppose Mr. Fellowes, who
discovered it afterwards - suppose, I say, Sir John Fellowes, Knt.,
can't do it (and I defy any man of imagination to got an impression
of Telmessus from his book) - can you, vain man, hope to try? The
effect of the artist, as I take it, ought to be, to produce upon
his hearer's mind, by his art, an effect something similar to that
produced on his own by the sight of the natural object. Only
music, or the best poetry, can do this. Keats's "Ode to the
Grecian Urn" is the best description I know of that sweet old
silent ruin of Telmessus.
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