Egypt (La Mort De Philae) by Pierre Loti















































 - 

Hastily we descend: by steep staircases, by passages which slope so
rapidly that they hurry us along of themselves, like - Page 87
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Hastily We Descend:

By steep staircases, by passages which slope so rapidly that they hurry us along of themselves, like slides; and it seems that we shall never ascend again, any more than the great mummy who passed here so long ago on his way to his eternal chamber.

All this brings us, first of all, to a deep well - dug there to swallow up the desecrators in their passage - and it is on one of the sides of this oubliette, behind a casual stone carefully sealed, that the continuation of these funeral galleries was discovered. Then, when we have passed the well, by a narrow bridge that has been thrown across it, the stairs begin again, and the steep passages that almost make you run; but now, by a sharp bend, they have changed their direction. And still we descend, descend. Heavens! how deep down this king dwells! And at each step of our descent we feel more and more imprisoned under the sovereign mass of stone, in the centre of all this compact and silent thickness.

*****

The little electric globes, placed apart like a garland, suffice now for our eyes which have forgotten the sun. And we can distinguish around us myriad figures inviting us to solemnity and silence. They are inscribed everywhere on the smooth, spotless walls of the colour of old ivory. They follow one another in regular order, repeating themselves obstinately in parallel rows, as if the better to impose upon our spirit, with gestures and symbols that are eternally the same. The gods and demons, the representatives of Anubis, with his black jackal's head and his long erect ears, seem to make signs to us with their long arms and long fingers: "No noise! Look, there are mummies here!" The wonderful preservation of all this, the vivid colours, the clearness of the outlines, begin to cause a kind of stupor and bewilderment. Verily you would think that the painter of these figures of the shades had only just quitted the hypogeum. All this past seems to draw you to itself like an abyss to which you have approached too closely. It surrounds you, and little by little masters you. It is so much at home here that it has /remained the present/. Over and above the mere descent into the secret bowels of the rock there has been a kind of seizure with vertigo, which we had not anticipated and which has whirled us far away into the depths of the ages.

These interminable, oppressive passages, by which we have crawled to the innermost depths of the mountain, lead at length to something vast, the walls divide, the vault expands and we are in the great funeral hall, of which the blue ceiling, all bestrewn with stars like the sky, is supported by six pillars hewn in the rock itself. On either side open other chambers into which the electricity permits us to see quite clearly, and opposite, at the end of the hall, a large crypt is revealed, which one divines instinctively must be the resting-place of the Pharaoh.

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