We can now see nothing of the palaces of Thebes, whither I am to
repair in the evening.
We are farther from them than we were last
night. The apparition during our morning's journey had slowly receded
in the plains flooded by sunlight. And then the Winter Palace and the
new boats shut out the view.
But this modern quay of Luxor, where I disembark at ten o'clock in the
morning in clear and radiant sunshine, is not without its amusing
side.
In a line with the Winter Palace a number of stalls follow one
another. All those things with which our tourists are wont to array
themselves are on sale there: fans, fly flaps, helmets and blue
spectacles. And, in thousands, photographs of the ruins. And there too
are the toys, the souvenirs of the Soudan: old negro knives, panther-
skins and gazelle horns. Numbers of Indians even are come to this
improvised fair, bringing their stuffs from Rajputana and Cashmere.
And, above all, there are dealers in mummies, offering for sale
mysteriously shaped coffins, mummy-cloths, dead hands, gods, scarabaei
- and the thousand and one things that this old soil has yielded for
centuries like an inexhaustible mine.
Along the stalls, keeping in the shade of the houses and the scattered
palms, pass representatives of the plutocracy of the world. Dressed by
the same costumiers, bedecked in the same plumes, and with faces
reddened by the same sun, the millionaire daughters of Chicago
merchants elbow their sisters of the old nobility. Pressing amongst
them impudent young Bedouins pester the fair travellers to mount their
saddled donkeys. And as if they were charged to add to this babel a
note of beauty, the battalions of Mr. Cook, of both sexes, and always
in a hurry, pass by with long strides.
Beyond the shops, following the line of the quay, there are other
hotels. Less aggressive, all of them, than the Winter Palace, they
have had the discretion not to raise themselves too high, and to cover
their fronts with white chalk in the Arab fashion, even to conceal
themselves in clusters of palm-trees.
And finally there is the colossal temple of Luxor, looking as out of
place now as the poor obelisk which Egypt gave us as a present, and
which stands to-day in the Place de la Concorde.
Bordering the Nile, it is a colossal grove of stone, about three
hundred yards in length. In epochs of a magnificence that is now
scarcely conceivable this forest of columns grew high and thick,
rising impetuously at the bidding of Amenophis and the great Ramses.
And how beautiful it must have been even yesterday, dominating in its
superb disarray this surrounding country, vowed for centuries to
neglect and silence!
But to-day, with all these things that men have built around it, you
might say that it no longer exists.
We reach an iron-barred gate and, to enter, have to show our permit to
the guards. Once inside the immense sanctuary, perhaps we shall find
solitude again. But, alas, under the profaned columns a crowd of
people passes, with /Baedekers/ in their hands, the same people that
one sees here everywhere, the same world as frequents Nice and the
Riviera. And, to crown the mockery, the noise of the dynamos pursues
us even here, for the boats of Messrs. Cook are moored to the bank
close by.
Hundreds of columns, columns which are anterior by many centuries to
those of Greece, and represent, in their naïve enormity, the first
conceptions of the human brain. Some are fluted and give the
impression of sheaves of monstrous weeds; others, quite plain and
simple, imitate the stem of the papyrus, and bear by way of capital
its strange flower. The tourists, like the flies, enter at certain
times of the day, which it suffices to know. Soon the little bells of
the hotels will call them away and the hour of midday will find me
here alone. But what in heaven's name will deliver me from the noise
of the dynamos? But look! beyond there, at the bottom of the
sanctuaries, in the part which should be the holy of holies, that
great fresco, now half effaced, but still clearly visible on the wall
- how unexpected and arresting it is! An image of Christ! Christ
crowned with the Byzantine aureole. It has been painted on a coarse
plaster, which seems to have been added by an unskilful hand, and is
wearing off and exposing the hieroglyphs beneath. . . . This temple,
in fact, almost indestructible by reason of its massiveness, has
passed through the hands of diverse masters. Its antiquity was already
legendary in the time of Alexander the Great, on whose behalf a chapel
was added to it; and later on, in the first ages of Christianity, a
corner of the ruins was turned into a cathedral. The tourists begin to
depart, for the lunch bell calls them to the neighbouring /tables
d'hote/; and while I wait till they shall be gone, I occupy myself in
following the bas-reliefs which are displayed for a length of more
than a hundred yards along the base of the walls. It is one long row
of people moving in their thousands all in the same direction - the
ritual procession of the God Amen. With the care which characterised
the Egyptians to draw everything from life so as to render it eternal,
there are represented here the smallest details of a day of festival
three or four thousand years ago. And how like it is to a holiday of
the people of to-day! Along the route of the procession are ranged
jugglers and sellers of drinks and fruits, and negro acrobats who walk
on their hands and twist themselves into all kinds of contortions. But
the procession itself was evidently of a magnificence such as we no
longer know. The number of musicians and priests, of corporations, of
emblems and banners, is quite bewildering.
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