The Spell of Egypt by Robert Hichens













































 -  And so there is a great coming and going up the
outside stairs and through the wonderful doorway: beggars crouch - Page 66
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And So There Is A Great Coming And Going Up The Outside Stairs And Through The Wonderful Doorway:

Beggars crouch under the wall of the terrace; the sellers of cakes, of syrups and lemon- water, and of

The big and luscious watermelons that are so popular in Cairo, display their wares beneath awnings of orange-colored sackcloth, or in the full glare of the sun, and, their prayers comfortably completed or perhaps not yet begun, the worshippers stand to gossip, or sit to smoke their pipes, before going on their way into the city or the mosque. There are noise and perpetual movement here. Stand for a while to gain an impression from them before you mount the steps and pass into the spacious peace beyond.

Orientals must surely revel in contrasts. There is no tumult like the tumult in certain of their market-places. There is no peace like the peace in certain of their mosques. Even without the slippers carefully tied over your boots you would walk softly, gingerly, in the mosque of El Movayad, the mosque of the columns and the garden. For once within the door you have taken wings and flown from the city, you are in a haven where the most delicious calm seems floating like an atmosphere. Through a lofty colonnade you come into the mosque, and find yourself beneath a magnificently ornamental wooden roof, the general effect of which is of deep brown and gold, though there are deftly introduced many touches of very fine red and strong, luminous blue. The walls are covered with gold and superb marbles, and there are many quotations from the Koran in Arab lettering heavy with gold. The great doors are of chiseled bronze and of wood. In the distance is a sultan's tomb, surmounted by a high and beautiful cupola, and pierced with windows of jeweled glass. But the attraction of this place of prayer comes less from its magnificence, from the shining of its gold, and the gleaming of its many-colored marbles, than from its spaciousness, its airiness, its still seclusion, and its garden. Mohammedans love fountains and shady places, as can surely love them only those who carry in their minds a remembrance of the desert. They love to have flowers blowing beside them while they pray. And with the immensely high and crenelated walls of this mosque long ago they set a fountain of pure white marble, covered it with a shelter of limestone, and planted trees and flowers about it. There beneath palms and tall eucalyptus- trees even on this misty day of the winter, roses were blooming, pinks scented the air, and great red flowers, that looked like emblems of passion, stared upward almost fiercely, as if searching for the sun. As I stood there among the worshippers in the wide colonnade, near the exquisitely carved pulpit in the shadow of which an old man who looked like Abraham was swaying to and fro and whispering his prayers, I thought of Omar Khayyam and how he would have loved this garden.

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