As Many People In The Sad But Lovely Islands Off The Coast Of Scotland
Believe In "Doubles," As The Old
Classic writers believed in man's
"genius," so the ancient Egyptian believed in his "Ka," or separate
entity, a sort of
Spiritual other self, to be propitiated and
ministered to, presented with gifts, and served with energy and ardor.
On this temple of Deir-el-Bahari is the scene of the birth of
Hatshepsu, and there are two babies, the princess and her Ka. For this
imagined Ka, when a great queen, long after, she built this temple, or
chapel, that offerings might be made there on certain appointed days.
Fortunate Ka of Hatshepsu to have had so cheerful a dwelling!
Liveliness pervades Deir-el-Bahari. I remember, when I was on my first
visit to Egypt, lunching at Thebes with Monsieur Naville and Mr.
Hogarth, and afterward going with them to watch the digging away of
the masses of sand and rubbish which concealed this gracious building.
I remember the songs of the half-naked workmen toiling and sweating in
the sun. and I remember seeing a white temple wall come up into the
light with all the painted figures surely dancing with joy upon it.
And they are surely dancing still.
Here you may see, brilliant as yesterday's picture anywhere,
fascinatingly decorative trees growing bravely in little pots, red
people offering incense which is piled up on mounds like mountains,
Ptah-Seket, Osiris receiving a royal gift of wine, the queen in the
company of various divinities, and the terrible ordeal of the cows.
The cows are being weighed in scales. There are three of them. One is
a philosopher, and reposes with an air that says, "Even this last
indignity of being weighed against my will cannot perturb my soaring
spirit." But the other two sitting up, look as apprehensive as old
ladies in a rocking express, expectant of an accident. The vividness
of the colors in this temple is quite wonderful. And much of its great
attraction comes rather from its position, and from them, than
essentially from itself. At Deir-el-Bahari, what the long shell
contains - its happy murmur of life - is more fascinating than the
shell. There, instead of being uplifted or overawed by form, we are
rejoiced by color, by the high vivacity of arrested movement, by the
story that color and movement tell. And over all there is the bright,
blue, painted sky, studded, almost distractedly studded, with a
plethora of the yellow stars the Egyptians made like starfish.
The restored apricot-colored columns outside look unhappily suburban
when you are near them. The white columns with their architraves are
more pleasant to the eyes. The niches full of bright hues, the arched
chapels, the small white steps leading upward to shallow sanctuaries,
the small black foxes facing each other on little yellow pedestals -
attract one like the details and amusing ornaments of a clever woman's
boudoir. Through this most characteristic temple one roves in a gaily
attentive mood, feeling all the time Hatshepsu's fascination.
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