This Courtyard, These Small Chambers
Beyond It, That Last Doorway Framing A Lovely Darkness, Soothe Me Even
More Than The Terra-Cotta Hermitages Of The Certosa Of Pavia.
And all
the statues here are calm with an irrevocable calmness, faithful
through passing years with a very sober faithfulness to the temple
they adorn.
In no other place, one feels it, could they be thus at
peace, with hands crossed for ever upon their breasts, which are torn
by no anxieties, thrilled by no joys. As one stands among them or
sitting on the base of a column in the chamber that lies beyond them,
looks on them from a little distance, their attitude is like a summons
to men to contend no more, to be still, to enter into rest.
Come to this temple when you leave the hall of Seti. There you are in
a place of triumph. Scarlet, some say, is the color of a great note
sounded on a bugle. This hall is like a bugle-call of the past,
thrilling even now down all the ages with a triumph that is surely
greater than any other triumphs. It suggests blaze - blaze of scarlet,
blaze of bugle, blaze of glory, blaze of life and time, of ambition
and achievement. In these columns, in the putting up of them, dead men
sought to climb to sun and stars, limitless in desire, limitless in
industry, limitless in will. And at the tops of the columns blooms the
lotus, the symbol of rising. What a triumph in stone this hall was
once, what a triumph in stone its ruin is to-day! Perhaps, among
temples, it is the most wondrous thing in all Egypt, as it was, no
doubt, the most wondrous temple in the world; among temples I say, for
the Sphinx is of all the marvels of Egypt by far the most marvellous.
The grandeur of this hall almost moves one to tears, like the marching
past of conquerors, stirs the heart with leaping thrills at the
capacities of men. Through the thicket of columns, tall as forest
trees, the intense blue of the African sky stares down, and their
great shadows lie along the warm and sunlit ground. Listen! There are
voices chanting. Men are working here - working as men worked how many
thousands of years ago. But these are calling upon the Mohammedan's
god as they slowly drag to the appointed places the mighty blocks of
stone. And it is to-day a Frenchman who oversees them.
"Help! Help! Allah give us help!
Help! Help! Allah give us help!"
The dust flies up about their naked feet. Triumph and work; work
succeeded by the triumph all can see. I like to hear the workmen's
voices within the hall of Seti. I like to see the dust stirred by
their tramping feet.
And then I like to go once more to the little temple, to enter through
its defaced gateway, to stand alone in its silence between the rows of
statues with their arms folded upon their quiet breasts, to gaze into
the tender darkness beyond - the darkness that looks consecrated - to
feel that peace is more wonderful than triumph, that the end of things
is peace.
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