Any companion, however
dreary, would have tarnished the perfection of the impression Old
Cairo and its Coptic church can give to the lonely traveller.
I descended to a gigantic door of palm-wood which was set in an old
brick arch. This door upon the outside was sheeted with iron. When it
opened, I left behind me the world I knew, the world that belongs to
us of to-day, with its animation, its impetus, its flashing changes,
its sweeping hurry and "go." I stepped at once into, surely, some
moldering century long hidden in the dark womb of the forgotten past.
The door of palm-wood closed, and I found myself in a sort of deserted
town, of narrow, empty streets, beetling archways, tall houses built
of grey bricks, which looked as if they had turned gradually grey, as
hair does on an aged head. Very, very tall were these houses. They all
appeared horribly, almost indecently, old. As I stood and stared at
them, I remembered a story of a Russian friend of mine, a landed
proprietor, on whose country estate dwelt a peasant woman who lived to
be over a hundred. Each year when he came from Petersburg, this old
woman arrived to salute him. At last she was a hundred and four, and,
when he left his estate for the winter, she bade him good-bye for
ever. For ever! But, lo! the next year there she still was - one
hundred and five years old, deeply ashamed and full of apologies for
being still alive.
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