On Many Nights I Have Sat In
The Sand At A Distance And Looked At Them, And Always, And
Increasingly, They Have Stirred My Imagination.
Their profound calm,
their classical simplicity, are greatly emphasized when no detail can
be seen, when they are but black shapes towering to the stars.
They
seem to aspire then like prayers prayed by one who has said, "God does
not need any prayers, but I need them." In their simplicity they
suggest a crowd of thoughts and of desires. Guy de Maupassant has said
that of all the arts architecture is perhaps the most aesthetic, the
most mysterious, and the most nourished by ideas. How true this is you
feel as you look at the Great Pyramid by night. It seems to breathe
out mystery. The immense base recalls to you the labyrinth within; the
long descent from the tiny slit that gives you entrance, your
uncertain steps in its hot, eternal night, your falls on the ice-like
surfaces of its polished blocks of stone, the crushing weight that
seemed to lie on your heart as you stole uncertainly on, summoned
almost as by the desert; your sensation of being for ever imprisoned,
taken and hidden by a monster from Egypt's wonderful light, as you
stood in the central chamber, and realized the stone ocean into whose
depths, like some intrepid diver, you had dared deliberately to come.
And then your eyes travel up the slowly shrinking walls till they
reach the dark point which is the top.
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