And A Flute Goes Before And They Follow Singing The
Praises Of Dionysos.
As to the reason why the figure has this member
larger than is natural and moves it, though it moves no other part of
the body, about this there is a sacred story told.
Now I think that
Melampus the son of Amytheon was not without knowledge of these rites
of sacrifice, but was acquainted with them: for Melampus is he who
first set forth to the Hellenes the name of Dionysos and the manner of
sacrifice and the procession of the /phallos/. Strictly speaking
indeed, he when he made it known did not take in the whole, but those
wise men who came after him made it known more at large. Melampus then
is he who taught of the /phallos/ which is carried in procession for
Dionysos, and from him the Hellenes learnt to do that which they do. I
say then that Melampus being a man of ability contrived for himself an
art of divination, and having learnt from Egypt he taught the Hellenes
many things, and among them those that concern Dionysos, making
changes in some few points of them: for I shall not say that that
which is done in worship of the god in Egypt came accidentally to be
the same with that which is done among the Hellenes, for then these
rites would have been in character with the Hellenic worship and not
lately brought in; nor certainly shall I say that the Egyptians took
from the Hellenes either this or any other customary observance:
matters concerning Dionysos from Cadmos the Tyrian and from those who
came with him from Phenicia to the land which we now call Boeotia.
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