The Country Teems With "Poets, Poetasters, Poetitos, And
Poetaccios:" Every Man Has His Recognised Position In Literature As
Accurately Defined
As though he had been reviewed in a century of
magazines,--the fine ear of this people [22] causing them
To take the
greatest pleasure in harmonious sounds and poetical expressions, whereas a
false quantity or a prosaic phrase excite their violent indignation. Many
of these compositions are so idiomatic that Arabs settled for years
amongst the Somal cannot understand them, though perfectly acquainted with
the conversational style. Every chief in the country must have a panegyric
to be sung by his clan, and the great patronise light literature by
keeping a poet. The amatory is of course the favourite theme: sometimes it
appears in dialogue, the rudest form, we are told, of the Drama. The
subjects are frequently pastoral: the lover for instance invites his
mistress to walk with him towards the well in Lahelo, the Arcadia of the
land; he compares her legs to the tall straight Libi tree, and imprecates
the direst curses on her head if she refuse to drink with him the milk of
his favourite camel. There are a few celebrated ethical compositions, in
which the father lavishes upon his son all the treasures of Somali good
advice, long as the somniferous sermons of Mentor to the insipid son of
Ulysses. Sometimes a black Tyrtaeus breaks into a wild lament for the loss
of warriors or territory; he taunts the clan with cowardice, reminds them
of their slain kindred, better men than themselves, whose spirits cannot
rest unavenged in their gory graves, and urges a furious onslaught upon
the exulting victor.
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