In The Heart Of Africa By Sir Samuel W. Baker 
 -  In an instant Taher was once more on foot, and
the sharp sword slashed the remaining leg.

The great bull - Page 41
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In An Instant Taher Was Once More On Foot, And The Sharp Sword Slashed The Remaining Leg.

The great bull-elephant could not move!

The first cut with the sword had utterly disabled it; the second was its deathblow. The arteries of the leg were divided, and the blood spouted in jets from the wounds. I wished to terminate its misery by a bullet behind the ear, but Taher Sherrif begged me not to fire, as the elephant would quickly bleed to death without pain, and an unnecessary shot might attract the Base, who would steal the flesh and ivory during our absence. We were obliged to return immediately to our far distant camp, and the hunters resolved to accompany their camels to the spot on the following day. We turned our horses' heads, and rode directly toward home, which we did not reach until nearly midnight, having ridden upward of sixty miles during the day.

The hunting of Taher Sherrif and his brothers was superlatively beautiful; with an immense amount of dash there was a cool, sportsman-like manner in their mode of attack that far excelled the impetuous and reckless onset of Abou Do. It was difficult to decide which to admire the more, the coolness and courage of him who led the elephant, or the extraordinary skill and activity of the aggahr who dealt the fatal blow.

After hunting and exploring for some days in this neighborhood, I determined to follow the bed of the Royan to its junction with the Settite. We started at daybreak, and after a long march along the sandy bed, hemmed in by high banks or by precipitous cliffs of sandstone, we arrived at the junction.

Having explored the entire country and enjoyed myself thoroughly, I was now determined to pay our promised visit to Mek Nimmur. Since our departure from the Egyptian territory his country had been invaded by a large force, according to orders sent from the Governor- General of the Soudan. Mek Nimmur as usual retreated to the mountains, but Mai Gubba and a number of his villages were utterly destroyed by the Egyptians. He would under these circumstances be doubly suspicious of strangers.

We were fortunate, however, in unexpectedly meeting a party of Mek Nimmur's followers on a foray, who consented to guide us to his encampment. Accordingly on March 20th, we found ourselves in a rich and park-like valley occupied by his people, and the day following was spent in receiving visits from the head men. Messengers soon after arrived from Mek Nimmur inviting us to pay him a visit at his residence.

As we were conversing with Mek Nimmur's messengers through the medium of Taher Noor, who knew their language, our attention was attracted by the arrival of a tremendous swell, who at a distance I thought must be Mek Nimmur himself. A snow-white mule carried an equally snow-white person, whose tight white pantaloons looked as though he had forgotten his trousers and had mounted in his drawers. He carried a large umbrella to shade his complexion; a pair of handsome silver-mounted pistols were arranged upon his saddle, and a silver-hilted curved sword, of the peculiar Abyssinian form, hung by his side. This grand personage was followed by an attendant, also mounted upon a mule, while several men on foot accompanied them, one of whom carried his lance and shield. Upon near approach he immediately dismounted and advanced toward us, bowing in a most foppish manner, while his attendant followed him on foot with an enormous violin, which he immediately handed to him. This fiddle was very peculiar in shape, being a square, with an exceedingly long neck extending from one corner. Upon this was stretched a solitary string, and the bow was very short and much bent. This was an Abyssinian Paganini. He was a professional minstrel of the highest grade, who had been sent by Mek Nimmur to welcome us on our arrival.

These musicians are very similar to the minstrels of ancient times. They attend at public rejoicings, and at births, deaths, and marriages of great personages, upon which occasions they extemporize their songs according to circumstances. My hunting in the Base country formed his theme, and for at least an hour he sang of my deeds in an extremely loud and disagreeable voice, while he accompanied himself upon his fiddle, which he held downward like a violoncello. During the whole of his song he continued in movement, marching with a sliding step to the front, and gliding to the right and left in a manner that, though intended to be graceful, was extremely comic. The substance of this minstrelsy was explained to me by Taher Noor, who listened eagerly to the words, which he translated with evident satisfaction. Of course, like all minstrels, he was an absurd flatterer, and, having gathered a few facts for his theme, he wandered slightly from the truth in his poetical description of my deeds.

He sang of me as though I had been Richard Coeur de Lion, and recounted, before an admiring throng of listeners, how I had wandered with a young wife from my own distant country to fight the terrible Base; how I had slain them in a single combat, and bow elephants and lions were struck down like lambs and kids by my hands. That during my absence in the hunt my wife had been carried off by the Base; that I had, on my return to my pillaged camp, galloped off in chase, and, overtaking the enemy, hundreds had fallen by my rifle and sword, and I had liberated and recovered the lady, who now had arrived safe with her lord in the country of the great Mek Nimmur, etc., etc.

This was all very pretty, no doubt, and as true as most poetical and musical descriptions; but I felt certain that there must be something to pay for this flattering entertainment. If you are considered to be a great man, a PRESENT is invariably expected in proportion to your importance.

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